Moving, shifting.

I moved house last night.

Out of the cold, old, dilapidated apartment with space for things and a good solid table to be fucked on. But it was too cold and old and the wooden window frames trembled at passing buses and I found myself retreating into my bedroom, first, and then my bed, where I lay with my solitude and my drinking and never wrote anything.

Yesterday my long suffering mother, still mothering me long past the gestation period of an adult, helped me move into my new place. Maybe I’ll get some writing done here.I’m all excuses. Recently I spoke to an artist, an actor, and he told me I needed to DO things and get up in the mornings and live my life like it’s not the waiting room for something else, and I felt like crying because he was right, no, not because he was right, but because I’d let my guard down and forgotten that intelligent people can see right through my flimsy bravado. I must have relaxed and let someone see me for what I am, my sadness pouring out in excuses and defence of doing nothing.

I feel happy, I have the symptoms of happiness. But I’m not independent, my life is paid for by the state, my mother shouldered more than half the weight of the fridge-freezer. I’m just like so many others. But I feel wrong, like this. You can justify any lifestyle, I believe, from housewife to banker to lunatic to whatever I might be, as long as your life doesn’t injure or abuse and you can pay your own rent.

It’s not my fault I grew up now, when rent is commonly half a person’s wages, and everyone feels entitled to avocados and parma ham, and craft beer. And suffers without them. But I’m a little ashamed that I grew up now, if I did indeed grow up, and failed to adapt to the world, as it crumbles and swells and freedoms are legalised and then encroached upon, and finally we’re told it’ll all sink into the sea. This is my generation. I’m built for it and by it. Maybe if I lived in the Chelsea hotel, and paid a pittance to live, I’d have been right, or right-on, there’d have been room for my dreams, but this is a bit sad, me, lamenting the fall of the starving artist, in post celtic tiger Ireland, like  a less impressive, less grotesque Ignatius J Reilly with his copy of Boethus.

I’m broke, I’m penniles, I’m cold and I’m a chancer. I’m Sebastian Dangerfield with a vagina. But I’m not, I’m not, I have cognac in my wardrobe and three avocados in varying stages of ripeness, a chilean one and a pair of new zealanders. And I have all these skirts and heels, and when I’ve worn them more than thrice they look old and like they belong to someone I haven’t been for a long time, or a week, but then I shed my passions so quickly, and I shed my skin, and need to buy it new. Because the shoes are worn from climbing walls at 4am and the skirts have been worn thrice and pulled lustily over my head by rougher hands than mine as many times. All my clothes with tags, a look of approval, lust, a compliment. From that moment, the clothes became his, like a lick of paint on a sheep. The skirt I wore to meet Jack, and it was all he thought about, lifting that skirt, he told me later, lifting it. The Shoes that Adam loved so, the ones that left angry red marks on his chest, his neck. The dress I wore for dinner with Antoine, dinner in my flat, with the candles and a tablecloth and he saw me and said “what a dress.” and I wore stockings and he’d never been with a woman in stockings before, he was so young. And he didn’t know to leave them on, when we made love. He took them off me, and I could see he wasn’t sure if they should go, because socks are bad in bed, or stay because they were sexy. And in the summer, I wore those shorts, my little shorts that barely held me inside, and Max watched me paint the sign for the bar in the sun while he sawed planks and sent a breath of sawdust onto the wet paint. And I didn’t mind, because he was so gentle, so adoring, then. And he held me while I was in crisis, not sure what to do or where to go, on the verge of tears at any time, and he made all sorts of promises. He should have let me be and stayed away, and he would have stayed away, but then I would were those shorts.

 I bought them for myself, for how I’d feel, who I thought I was that day and how she would look. But those men, they like to own things, and maybe the don’t know they do it, but they wear me down and they take possession of my clothes, and then I don’t feel like that girl I wanted to be in my skirt any more, covered in fingerprints. Perhaps I just want to give myself fresh to each new lover, and I’m afraid he can see the wear, and it’ll remind him how my mouth isn’t new either, how many hands have reached under my hair to release a clasp. Perhaps it’s not, it’s just there’s so much hope and possibility in new clothes. I remember when I bought my little black playsuit with the high neck and the short shorts, and I saw it in the mirror and thought I looked so sexy, and glamourous, and like I belonged draped on a couch somewhere fabulous drinking something expensive. But then where did I have to wear it, really? I wore it to Bob’s kitchen, to dance to 80s music, which was lovely and fun but my little playsuit went to waste. And then I wore it to the Market Bar, and it was too short, and I felt uncomfortable, but I looked great. And then I went home with Steve, and I shouldn’t have because he’s so wrapped up in himself, he can’t even tell that I don’t care about him, so there’s something insulting about how he never calls or sends a message later. These clothes have too many memories.

What I’m trying to say here, essentially, is that I need a new dress, and I hope you understand how I need a new dress. It’s not wrong, to want a new dress, when you can see how all my other clothes are tarnished so.

But ah, what was I telling you? About the move. Out of my hermit’s cave, into a bizzare houseshare of over 20 inmates, an old hospital of sorts, padded handrails down the corridors and three floors, and everyone has their own fridge, fridges littering the two kitchens and when I scurry down the corridor to the bathroom there’s a ladies and a gents.

And the inmates are friendly and some seem lovely warm people, and others seem obvious like characters written lazily by someone lacking imagination. When I was a child I entertained the thought that I was the main character, and all others were minor, or bit players, or extras. When an adult chastised me I felt sorry for them, that they were written that way, their only contribution to the world as a fleeting villain.

I eventually grew out of the idea that I was the centre of the universe but I never gave up feeling sorry for those people who were written by hacks.

It’s strange to be back in shared living… but it seems like a good thing. It’s warm, I’ll be less inclined to go out every night, maybe, maybe I’ll save some money too.

But the thing that struck me straight away is that I now find myself in a censored environment. For months I’ve surrounded myself exclusively, truly exclusively, with people who I can be so open about, tell every secret, every filthy secret and thought. And now I’m in this area where I don’t know the people, and some will be open minded freaks and perverts, too, but some will not, and so I’m keeping myself to myself, a little. Which is odd for me.

I got so used to being just me, living in a world of my own creation where nothing in nature is twisted, or dirty, as a man said long ago, I think it was Servius.

Changes, anyway.

I hope I write more here, I hope I do. I’ll try.

But it’s not, as people close to me who don’t write seem to thing, some kind of muscle I can get up in the morning and knock out 20 reps of 100 words.

I could write 50,000 words right now, and I’d forget to eat, drink, pee, masturbate, yes, even masturbate. But what kind of words would they be, and is there any point?

My friends tell me to just DO it. Do it and you’ll have written, and you can edit. But I don’t like to edit, because then I read back and it’s not the voice in my head any more, it’s something I’ve crafted. And why did I do that? It’s the honesty of writing I love… and beautiful turns of phrase, and sentences that make something lurch inside you like arousal of your sense of harmony. But mostly honesty, and when I edit I think why did I do that? What am I trying to say, and what’s the point?

And I collapse in nihilism, and I don’t do anything, and I feel bad about it, because even though I don’t think anything matters, it matters to me that I don’t fade into a sad future. Also, I don’t edit because I don’t know what’s good.

People tell me to just write. Just write, write all the time. You have so much free time, you should be writing. I know. I KNOW. I know. I just need to… do it. I know.

In my old place, you see, it was too cold. It was so cold, I couldn’t think, my fingers were cold, my brain was occupied in being cold and suffering from it and overcoming it. In France you may know, I thought I’d recreate the misery and solitude of my life in Italy, without being so miserable and solitary that I’d hate it, like in Italy.

But it seems it’s either one or the other. I’m too unhappy in Italy to live. I wrote there, maybe nothing great, but I was so unhappy I wrote like my writing was my friend who understood me and it just kept me from the abyss of true misery. And France, oh I didn’t speak French, but I learnt French. And I didn’t know anyone, but I met people, and I met wonderful people and they made me laugh and I somehow made them laugh in my awful French. But I wasn’t truly happy because I was like the dumb princess, the little mermaid, clumsy on my legs and deprived of my singing voice.

The prince didn’t love me without my gifts, but he was compassionate, he thought me charming with my strange ways and my clumsiness. But that’s fine, for a short time. In France there were men, but none of them loved me for what I was, they just loved what they could see, a ballsy travelling girl with a love of wine and food and a tendency to make clumsy puns that didn’t really work in French. And they murmured things in my ear, that sounded less beautiful as my French improved and eventually just made me roll my eyes. Fucking French, everything so doomed and poignant. On a beach somewhere near Bordeaux we watched a sunset together, feet curling in the sand, and one lover told me he was glad the clouds were there, on the horizon, because had it been any clearer the sunset would have been too much, too cheesy. “I ‘ate cheesy” he said.

“I ‘ate you”, I remember thinking. But I loved him a while longer.

I missed my wit and humour and I felt dulled. I drank far too much and snuck my bottles out of the lovely, jolly house I shared with 6 people so they wouldn’t know how far it went. I couldn’t write there, because I was learning French and my head was full of French and I was being pestered by romantic men who felt no shame in throwing themselves at me.

I had so many friends, there, I couldn’t muster enough loneliness to really write. I was aware as I made this excuse that I could never make myself be lonely, Italy was a mistake, I was trapped there with my husband and my mortgage and my debt. I’d have run home, long ago, had I not been caught that way. I told people I moved to France to be lonelier.

Really I think, now, in hindsight, that I knew full well I was moving to France to have a legitimate and shameless reason to be lonely. I was desperately lonely in Ireland but I was from Ireland, there was no excuse, how could I not find the right people? And I couldn’t write there either, because I had to work in this awful call centre and I didn’t have time to write because I had to work from 9 til 5.30 and didn’t get home til 6.30 and then I was tired and sad, and needed to relax and watch something absurd and funny and forget about my life, and I’d do that til 1 in the morning and then I had to go to bed because i had work in the morning. And if I tried to write anything I’d write how I felt, and god, that was awful, and I didn’t want to think about how I felt because I felt sad and hollow and like something really awful had been done to me and I was being made pay for it. Some awful wrong, my whole life was an awful wrong that had been inflicted on me by my parents, my teachers, my friends, my boyfriends, my parents, my parents, my parents.

And I was such a lovely girl with such a sweet heart and I loved so strongly and why did they all do that, tread on me and make me so sad and break my heart so now I haven’t been sweet or loving in years.

So I didn’t like to think about that, it was too dark and I cried so much when I thought of how I felt and who I had become or was becoming. And my eyes would be puffy in work the next day. Maybe I’d write at the weekend. That’s it, I’d get a bottle of whiskey and lock myself in my bedsit, quite a nice bedsit, not really suited to drowning your sorrows, but I’d make do. And then Friday I’d be half drunk and thinking of typing a few words about something, and I’d get a call from some man I’d vowed to stay away from because he kept giving me false hope and then hurting me, and whenever that subsided I’d remember he was no good, not very interesting and not at all impressive. But I’d be lonely so I’d go and meet him, and sleep with him, and start to feel the rumblings of emotion again, and then I wouldn’t write because all I’d write about would be how I liked him, and maybe I didn’t, and why wouldn’t he call when he said he would.

and what’s wrong with me.

Well, that’s all sort of gone now. I’m not that kind of unhappy now. I’m quite happy, really. In the short term. Long term, I’m not sure, because I need to prove to myself that I am what I claim to be, a writer, and that I’ll do something with that and not just be a drain on family and the state. Not that I care about being a drain on the state, because look at everyone else, and look at all the corruption. But it’s still not right for me, personally.

I am quite happy, really. I don’t cry, I don’t feel like I’ve been hideously wounded by life any more. I feel like I’ve been wounded just the right amount, to make me someone I could respect, if only I got off my ass once in a while and contributed something to the human experience. Because no, it doesn’t matter one bit if I drink and fuck all day and get old and then no one will want to fuck me any more, but it matters to me that I leave a little bundle of pages behind, with something in them that can be picked up, and read, and maybe enjoyed, and maybe someone will read and know me through them, and my life will be in there, and all the silly things that you couldn’t invent, that don’t matter at all, but that contain everything of me but my DNA.

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